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100 Suns, by Michael Light

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From Publishers Weekly

Despite all the thousands of caricatures and artistic re-interpretations of the nuclear "mushroom cloud," photographs of the real thing are still intensely frightening and visually fascinating. The "thousand suns" referred to in the Bhagavad Gita, from which J. Robert Oppenheimer quoted when the first atomic bomb was detonated in New Mexico on July 16, 1945, are depicted here in 100 carefully selected photographs of the aboveground nuclear tests conducted by the United States in the Nevada and New Mexico deserts and over the Pacific Ocean. Culled by Light (Full Moon) from formerly classified documents held by the United States National Archives and Los Alamos National Laboratory, the photos, dating from 1942 to 1962, are awe-inspiring. Crisply printed on black glossy stock, each photo is printed full-page recto, with the facing verso page containing only the plate number, the name of the test ("Trinity"; "Mike"; "Wahoo"), the test date and the number of kilotons (or megatons) of energy released. Extensive notes on each photo and test are in the back, along with a bibliography. Many of the photos show only the blast, but some have people. One photograph, in particular ("019. Simon"), does not show an explosion: soldiers huddle in a trench, identifiable only by the blurred shapes of their helmets, with what looks like glowing debris raining upon them. The back caption notes: "In a moment the ground and air shockwaves will toss them like dolls, then fill their mouths with radioactive dust and also make it temporarily impossible to see." Ultimately, that particular test "scattered deadly fallout throughout southwest Utah" and "highly radioactive rain fell in Albany, New York the following day." Aboveground tests ended with the 1963 Partial Test Ban Treaty. Releasing worldwide with a first printing of 35,000, this book, some of whose colors are impossible to describe, will leave readers changed. Copyright 2003 Reed Business Information, Inc.

From Scientific American

Text-free, portrait-large photographs--many in dramatic full color, mainly crimson and black by land, clouded skies by sea--are the hundred metaphorical suns promised. Rather more than half of them disclose the proverbial mushroom cloud, luminous or vapor-borne. Each one is a prompt, distant shot of an American nuclear weapon explosion, made during the years from 1945 to 1962, until the Limited Test Ban Treaty quelled both public witness and most fallout through burial underground. The meticulous compiler--photographer Michael Light, whose book Full Moon drew wide praise--ordered his portraits here for visual effect. A contextual look discloses much of weapon development amid the politics of unbridled state power. Since 1945, with the first test and the two calamitous attacks on Japanese cities, the explosive energy ranged from Little Feller I, a test of a midget atomic rocket suited for one-man launch, up to H-bomb Mike, shown in five striking views from 1952. Mike, the first large American thermonuclear device, raised the ante as measured in tons of TNT, from a 10-ton truckload to a fanciful TNT-laden boxcar train 2,000 miles long, rattling past at full speed during two nights and one day. Numbers do not convey everything. The image that most compels a viewer is one from 1946 itself, the first postwar year. The U.S. Navy felt the need for a demonstration of the new atomic threat against warships (no H-bombs as yet). The Bikini Atoll test was duly prepared in the summer of 1946. One fast daylight snapshot from the air shows something near human scale. Against the huge foamy tower of seawater thrown upward, a few tiny black splinters are dwarfed. The furious waters reached and ruined them. Are they kayaks? They were in fact among the largest battleships ever sent to sea, Japan's naval pride, anchored empty as targets. H-bomb tests are observed from 50 miles off; their images here are mostly colorful and complex layers of cloud formations out to the horizon. A few plates show witnesses, some of them troops set closer to the fireball than we would so casually plan today. The documentation is admirable. And Michael Light has put his own views briefly but clearly at the end of the book, recognizing that photographs tell only how things look: "When it's all we have, however, it's enough to help understanding. It exists. It happened. It is happening. May no further nuclear detonation photographs be made, ever." Philip Morrison, emeritus professor of physics at M.I.T., wrote the book review column for this magazine for more than 30 years. He was a member of the Manhattan Project and a witness of the first test.

See all Editorial Reviews

Product details

Hardcover: 208 pages

Publisher: Knopf; FIRST AMERICAN EDITION (stated) edition (October 21, 2003)

Language: English

ISBN-10: 9781400041138

ISBN-13: 978-1400041138

ASIN: 1400041139

Product Dimensions:

10.8 x 1 x 13.6 inches

Shipping Weight: 3.8 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

42 customer reviews

Amazon Best Sellers Rank:

#787,861 in Books (See Top 100 in Books)

Incredible book with unexpected historical details on the USA's endless, mindbogglingly insane atmospheric nuclear testing programs that spewed radioactive fallout into the global ecosystem with impunity and utter disregard for nature, animals, and human life for nearly half a century.

This is a very handsome volume, with images every bit as beautiful as the subject matter is terrifying. Shown are mushroom clouds from near and far, in black and white and in color, and soldiers hunkered down and bracing themselves against the burst in the distance.There's the seemingly harmless--and innocently named--Little Feller I (#46), a "mere" 18-ton-TNT-equivalent delicate puff rising from the barren Nevada desert, captured 40 seconds after detonation.And then consider Bravo, the largest single nuclear explosion ever. At 15 megatons--the equivalent of 15 million tons of TNT--it released in an instant more energy than all the ordnance spent in World Wars I and II combined.The list of captions in the back of the book provides interesting data about each test and makes a nice tidy summary of our government's Cold War excesses. Light's book includes a chronology of developments in the nuclear era, including year-by-year counts of Soviet and U.S. nuclear weapons stockpiles. It is noteworthy that, during the hottest years of the Cold War, when the U.S. public was being warned of a widening "missile gap" with the Soviet Union, we always had a greater number of warheads, often as many as ten times more.

About the quality of the book: It is a book of photographs, but the photo reproduction in the book is only ok, at best. Many of the photos in this book are published in other books, and are reproduced with poorer tonal quality and definition in this book. Some photos, such as one of some seated observers at the Greenhouse Dog test, are obviously edited or enhanced for dramatic or artistic effect. The reproduction of the color photos is sometimes strange; images that were probably recorded on extended range film, orange/yellow emulsion, are printed as orange/yellow color images. The notes for those images only describe them as 'Orange picture of...' or 'Red picture of...'; no further explanation is given.The photos are mostly of fireballs and clouds; don't bother buying it if you are interested in photos of other things.I'll keep, and put on the shelves, my copy of this book. It has a handful of images that I haven't seen else where. But it isn't a book that I would recommend. There is too little in it for its' size and price.

100 Suns is a great book that shows the american nuclear tests from an "artistic" perspective. The images and the edition are spectacular, and the choice of the pictures depends only on his compilator, Michael Light.Anyway, if you are looking for an exhaustive nuclear test data, nuclear technology or nuclear consequences, definitely this is not your book.But if you can abstract the mortal power from the breath-taking image that a nuclear explosion owns, then you've got the book of the year.Greetings from Barcelona, Spain

Amazing photographs from our nations dark past during a cold era. Shocking to view what went on classified for so many years. Hope we never have to see it happen again. I agree with some of the reviews that some of the photos are full sheets and are lost in the seam. It is still a great book with plenty of photos seamless views.

Beautiful, haunting reminder of what humanity is capable of. This book offers a visual and emotional experience that history texts cannot. Excellent gift for anyone fond of history or politics. I'd gladly buy again for my own collection.

A wonderful piece of work. The author thankfully did not over-politicize nuclear weapons or U.S. nuclear testing policys, and the reader is left with incredible pictures and factual commentary. The book does not so much tell a story as it presents for the reader a dangerous time in American history for reflection. Thankfully, we are still here to reflect on these ominous, but nonetheless beautiful pictures. I think perhaps John Foster Dulles has been vindicated.

Terrifyingly beautiful. 100 Suns is a stark reminder of the power unleashed by atomic weapons.

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